![]() The melody consists of eight bar periods with a parallel question and answer phrase. The ostinato is introduced first, then the midground, then the melody. If there is not an ostinato, there is still a background line that maintains repeated rhythmic and pitch movement patterns. An astonishing number of Undertale’s OST songs contain most/all of the following elements: The majority of tracks are written the same way. It also, interestingly enough, is composed with a very small pallet of compositional techniques. The Undertale soundtrack is enormously fun, expressive, and symbolically meaningful. ![]() ![]() Deconstructing Undertale’s Music Composition Structure ![]()
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